This section is from "The Horticulturist, And Journal Of Rural Art And Rural Taste", by P. Barry, A. J. Downing, J. Jay Smith, Peter B. Mead, F. W. Woodward, Henry T. Williams. Also available from Amazon: Horticulturist and Journal of Rural Art and Rural Taste.
The practical man of the N. Y. Independent thus criticises a communication from a poetical contributor whose botanical education had been neglected:
When you drew a picture of a forest haunt in summer, I tried to imagine and see what you described. I immediately got into confusion. It sounded well; but, botanically, it was all awry. You drew it from your imagination, or rather from the poetry of your reading, and not from nature. I don't know scenery in your region very well; but (1) I doubt somewhat if the "firs," "willows," " aspens," "oaks" and "dogwood" grow together. (2) I doubt those "daisies" in "summer" on the "slope." But it is possible. (3) There is no "heather" in the United States, except a very little at Tewkesbury, Mass. (4) If there were heather on that "side-hill" it would be a dry hill, and it would be "brake" and not "fern." (5) "Daffodils" do not grow on side-hills or anywhere else except in gardens. (6) Of all green, "emerald" is the very last to describe "willows," which are a very light, whitish green. "Dogwood" blooms in "snow bowers," never in summer, only in early spring. (7) Your "woodbine's golden bell " may be right if you mean what is -commonly called honeysuckle. (8) What the "amber" dropped in summer by the poplar is, I cannot tell.
 
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